Open Season

Another great director turns out the lights.

Camera pans slightly to reveal a door in jungle. It opens and an inspector enters.
Inspector	Not so fast, Akarumba! Allow me to introduce myself. I'm Inspector Baboon of Scotland Yard's Special Fraud Film Director Squad, Jungle Division.
Fourth Explorer	Baboon of the Yard!
Inspector	Shut up! (shoots her) Right, Akarumba! I'm arresting you for impersonating Signor Michelangelo Antonioni, an Italian film director who co-scripts all his own films, largely jettisoning narrative in favour of vague incident and relentless character study . . . (during this harangue the credits start to roll, music very faint beneath his words) ... In his first film: 'Cronaca Di Un Areore' (1950), the couple are brought together by a shared irrational guilt. 'L'Amico' followed in 1955, and 1959 saw the first of Antonioni's world-famous trilogy, 'L'Avventura' - an acute study of boredom, restlessness and the futilities and agonies of purposeless living. In 'L'Eclisse', three years later, this analysis of sentiments is taken up once again. 'We do not have to know each other to love', says the heroine, 'and perhaps we do not have to love...' The 'Eclipse' of the emotions finally casts its shadow when darkness descends on a street corner. (the credits end; voice and picture start to fade)... Signor Antonioni first makes use of colour to underline...